• Unplugged (Author Interview)

    www.amazon.com/dp/B07X252WDY/    Unplugged looks like the perfect relationship book. What kind of advice do you give? I focus on what I know, which is massage.  My relationship advice comes in the shape of how to give that blissful massage to your partner.  So my advice is both technical, as far as hand positions, muscles being worked and stroke techniques but also includes a more holistic approach of getting the massage space ready for the session.  Also I focus on how to emotionally get yourself ready to give and receive the massage. How long did it take you to write Unplugged? The book took me about 2 years to write, from the moment the seed was planted to the moment I uploaded it onto Amazon. What inspired you when writing Unplugged? I was inspired because this was such an amazing platform in which to share my methods and ideas of massage to a large group of people and I wanted to take full advantage of this opportunity.  My 2 daughters also inspired me while writing because even though they are young they would often encourage me in their own child-like innocence to enjoy life which allowed more creative writing energy to flow from me. What type of reader would get the most out of your book? I think anyone that enjoys touch and enjoys massage and enjoys those intimate moments with our ‘person’ will get the most out of my book.  Its really written for people that are curious to learn easy and simple massage techniques they can practice in the comfort of their homes. How did you come up with the ideas in Unplugged? I client of mine in Cape Town, South Africa came up with the idea when I was living there a couple years ago.  While I was massaging him, he felt really good and commented that I should write down my techniques and publish a book.  Did anything stick out as particularly challenging when writing Unplugged? Believe it or not the writing aspect of the book was the easy part since massage is an extension of who I am it was easy to convey that into words.  What was most challenging was the editing process and getting the book formatting perfect so that I could upload it onto Amazon. What do you like to do when not writing? I like taking long walks, watching movies, practicing martial arts and spending time doing absolutely nothing (which in todays high-paced world, is harder than it sounds). Where can readers find out more about your work? My readers can connect with me on Facebook: Hakim La Rocca and Instagram: @hakimlarocca I am busy editing my 3rd book so be sure to keep an eye on my social media for when it will be up on Amazon. hakimlarocca@gmail.com Readmore

  • Don't Show, Don't Tell (Author Interview)

    www.amazon.com/gp/product/B084RZTFX9 Don’t Show, Don’t Tell looks like a great collection of shorts.  Any plans to turn it into a series?     All of the stories in Don’t Show, Don’t Tell are individual stories surrounding various conspiracy theories and imagined worlds. There are a couple of stories that are connected to one-another, but besides that, they are all separate stories with their own plotline. I do hope to write another collection of short stories in the same dystopian genre, but I do not plan on having them be a continuation of these existing stories. I am also currently working on a novel in the same genre that I hope to release later this year! How did you come up with the stories in Don’t Show, Don’t Tell?   I have always loved conspiracy theories and questioning everything that exists around us, and I was taught by a college professor that one way to start a story is to write a ‘What if’ question. This became my focal point in writing these stories because I would begin to think about the things that are told to us or the things that we see and ask myself, ‘what if…?’ From there, I began writing, and the stories turned into what they are today! What will readers get out of your book? Readers will get a new outlook on life, an awakening that will open their eyes and show them some truths that are hidden and disguised in our world. They will have the thrill of reading a short story with the added bonus of experiencing a different take on the way that we live every single day. From the way that we run our social media accounts to the way the news is portrayed to us, these stories cover it all. What inspired you when writing Don’t Show, Don’t Tell?    One of my biggest inspirations was Shane Dawson because, to be honest, I fell down a pit hole of his conspiracy theory videos on YouTube. I have always loved the dystopian genre such as 1984, and I truly believe that there are things that we ignore that are hidden just beyond the surface. Through all of this, I began to write down every question that I had about our world, and that is how these stories were made. When writing Don’t Show, Don’t Tell did anything stand out as particularly challenging?   Before I learned the ‘what if’ method, I struggled with what most writers struggle with: writer’s block. I had so many ideas floating around in my head that I didn’t know where to start. Once I began writing down my questions, my ideas were able to be contained and flow out into the stories. What do you like to do when not writing? I am currently finishing my last semester of student teaching. Next year, I will be a middle school teacher because I love to help kids achieve their goals and see their full potential just as teachers did for me in school. Aside from that, I am an avid reader, a big fan of Stephen King, and an artist. While I don’t do art full-time, I do like to do it as a form of creat... Readmore

  • The Choices We Make (Author Interview)

    amzn.to/2Pd7xMz The Choices We Make is a very inspiring story. Is it all based on your true story or in part?  Can you take us through the thought process on how you decided what to share?   In my book The Choices We Make, all events within the context of the book are in fact true.  Names and locations however have been changed.  As I wrote the words down I immersed myself into my thoughts and emotions, all the events that have transpired left such an everlasting impression on me.  The way the book was written was me reliving the journey through the NICU.  The timeframe that I spent there was enough for me to have all the events that my son endured engraved within my memories so the thought process was as clear as the moment it happened. What will readers get out of your book? Readers will be brought into a world that no parent should embrace.  The world of Preemies is yet just another word I heard in passing as time went on in my life.  Readers will be inspired especially those who currently have babies in the NICU.   Being a parent and walking down this path of uncertainties is not only unsettling but nerve wrecking, doctors will highlight the negatives based on their experience and practice.  My book will show that even in the worst scenarios, preemies are resilient and fighters where nothing is set in stone. What inspired you when writing The Choices We Make?    My inspiration came from my son where as he grows I take part in a milestone that in several points in my life I thought he would never meet.  When he was discharged from the NICU he had  machines hooked up to him, a pulse sock to measure heart rate and oxygen saturation levels and oxygen tank  hooked up to a nasal cannula. These machines would sustain and monitor his vitals.  He had 8 different medications that had to be administered daily where he also needed respiratory treatments twice a day.  The older he got, although delayed he began to sit up, where next he crawled and it was within the last year did he finally walk.  These beautiful moments despite the challenges he faced are what inspired me and I hope many others become inspired as well in times of struggle to keep pushing forward. When writing The Choices We Make did anything stand out as particularly challenging?   The challenging aspects of when writing my book was definitely the emotional aspect of it all.  I would hear the hospital machines and the beeping sounds they made, how when my son’s heart rate would drop the feeling of pain and anxiety surrounded me.   There was a point when I was writing towards the events leading to his surgery, I could remember how well he was doing and after the surgery I recall seeing him lie there so lifeless and pale. &nb... Readmore

  • Lost Era (Author Interview)

    https://losteracollection.com/first-edition    Lost Era looks like a great retro fashion and art collection.  How many pictures are in the book?   At it’s core I wanted Lost Era to just be a book of inspiration for creatives and art lovers alike. I wanted there to be enough content for anyone to look through and enjoy, but more importantly, push to create. Lost Era has five separate editorials with each editorial having at least six images. Of course there is way more than thirty images but that gives you an idea of how much content there is in a forty paged photo magazine. How did you find such a wide collection of retro items and clothing?               We are lucky enough to have incredible friends who own vintage shops and just live a vintage lifestyle. For instance, my favorite piece I have is from the amazing Junk Fairy at Bad Granny's Bazaar in OKC, and it is a boombox that bumps if I need to get people hyped up. Outside of that, Josie and I go out to vintage shops ourselves and scrounge around. You never know what you’ll find but I do generally have an idea of what I want for the shoot. Who is your target market for the book? I like to think that Lost Era has two audiences. The first being creatives, artists. It is meant to give people a place to create and be inspired. The second audience I like to think are women who love to support women and self confidence. A huge part of Lost Era is creating an environment for women to feel sexy and explore their true badass selves. What inspired you when creating Lost Era?    When I started to really dive into the pop culture of the 70s, 80s, and 90s it was hard to not be inspired by the figures like Kate Moss and Helmut Newton. You see these people and many others being unapologetically themselves. They created art they believed in, they did not copy any one else, they were original. Working with other models and photographers inspire me daily I love seeing energy and enthusiasm to create something that might not be the norm. The true inspiration comes from wanting to build a community of like minded individuals who inspire each other and creating a place for people to create art they want to create. When creating Lost Era did anything stand out as particularly challenging?   The biggest challenge for Lost Era was actually just getting the name and message out there. We’re in a world of constant media and getting over that hump was specifically challenging. Basic business really. Figuring out my target audience and really nailing how exactly to describe Lost Era in a short phrase, I feel there is so many layers to this brand. Nothing out of the ordinary, things every brand and business go through. Where can fans find out more about your work? You can find more about Lost Era and join our community on our website https://losteraco... Readmore

  • Whythehellnot?

    www.amazon.com/dp/139322914X/ Whythehellnot?’ looks like a great romance book.  What type of readers would be interested in your book?          I believe adults of all ages will take something away from this story. It's ageless. But especially women who have perhaps given up on the idea that true love--the kind you see in the movies and read about in novels--women who think they deserve less, so they settle for less, because they don't think there is anything better out there for them, or because they think being alone is worse; these women can know there is always hope. And they are worthy of the kind of love that reveals and enhances their best self.     It's not just for women, though. There are men who have lost their wives and think they can never find love again. Men who have never found it and think it's too late. It's never too late, whatever kind of love you're looking for--love...is love.     It's for anyone who's afraid to make that one decision--that first move--to change their life forever, because it scares the sh*t out of them. We're all scared. None of us own the patent on fear. But Honey, we gotta decide what we really want the rest of our time on this planet to be like, because we're gonna be here either way.     It's for you. You, who's sitting there thinking you're alone. You're not.       Any plans to make ‘Whythehellnot?’a series?            This is definitely something I am thinking about. I've started a second book a few times already. There will probably be a few more false starts before the engine turns over. What inspired you when writing the book?               How spiritual this entire journey is. I'm a writer. It's what I do, so I had to record what was happening. But the frustration was the limitations of the human language. I will never have enough or adequate words to make anyone really feel what this feels like. But I can't just not try. People have to know that this kind of thing is real. That those stories they make into movies--those come from someplace real. You can believe in it.     (If you're on your deathbed don't be cussin'me out if it hasn't happened for you, 'cause I'm still gonna tell you to believe. I'm gonna say--it's not the end.) Why did you decide to become a writer?                 I didn't. Just like I didn't choose to have brown eyes. (Unless you believe that we choose these things before we come here, which maybe I did. But if that's the case, you'd have to ask me why in the spirit world.) It's what I am. Even when I've had other jobs, I've always written. I've never not been a writer.     Writing helps me ... Readmore

Scepter of the Gods: The Rod of Truth (Author Interview)

 

https://a.co/d/4gfSRjM

Can you talk about the origin of the title "Scepter of the Gods: The Rod of Truth" and how it ties into the book's themes and story?

The title first occurred to me about fifteen years ago when I was envisioning the overall storyline but the initial story first occurred to me forty years ago as part of a Dungeons and Dragons campaign that I created. The idea needed a lot of work and over the years as I saw our technology develop and became fascinated with other things in the news and on TV programs, I evolved how I saw this storyline. I can’t be more specific than that because it would give away spoilers to not only The Rod of Truth, but to the subsequent four books in the series as well. Back to the title question, I knew that the story was too much for one book. I decided to break it into five books but I needed each book to have a standalone purpose so that I wouldn’t have what happens in a lot of series, which is an installment that only serves as a bridge but isn’t a standalone story. To me that isn’t good storytelling. So rather than having one relic or treasure that was the object of a quest, I decided it would be a better story if there were pieces of one relic that had to be assembled. The characters would have to rebuild a powerful item with capabilities mostly unknown until they fully assembled it having faith in a legend that stated this item would restore their civilization. So, I then decided what these pieces would be and gave them names, deciding that the first book would be about the core piece of the scepter, that being a rod and called it the Rod of Truth. The second book will be titled The Rings of Azimuth because one ring will go at each end of the rod, but that’s all I will say about that yet. Each item or piece, such as the Rod of Truth, has properties that tie to values and character and themes that bridge spirituality and functional realism. Each piece also will tie to something having to do with one of our main characters such as Alex and truth, of Phelia’s medallion which for now shall remain an enigma.


The book has a unique mix of mystical power and rustic civilization. What inspired this setting and how did you build this world?

Well, this is a huge question fraught with the possibility of leaking spoilers, but I will do my best to explain. I have to back up to the gods. Boy, this is difficult without giving things away all the way to book five. I can say that the dynamic between the gods and the civilization along with ancient history in this world gave rise to the rustic civilization, however things have not always been so. What seems to be magic may be something else and what seems to be ancient may not be so old. I can say that there are different sources of different kinds of power. I wanted to have some setting where big things had happened but where even the players in orchestrating those big events in the past were not completely aware of a larger history stretching back millennia. I built the world we see in Rod of Truth as a backdrop that will change throughout the overall storyline.


Each of your four main characters, Alex, Mila, Phelia, and Peter, comes from different backgrounds. How did you develop their characters and ensure they would clash and complement each other in their quest?

Each of the four characters form a sort of haphazard balance. Alex represents complacency that doesn’t recognize an underlying discontent until brought off balance. In comes Mila who provides that tip to throw him off balance and yet her background and core are all about balance of nature and body/mind/spirit. Alex comes from a world of swords, shields, and armor in a setting of deep spirituality. Mila is kind of a blend of ancient Celtic fairy lore, Native American spirituality and medicine, and ancient Huna ways. Phelia is a hot-headed, highly educated, self-entitled elitist with grandiose ambitions who was already going to launch off on a personal quest for fame and fortune but that was cut short by an intentional intervention by the gods. Peter is an enigma and I would prefer to let him remain so until probably at least book three, maybe book four, but he is more than happy to take advantage of Phelia’s aspirations. But they all have their differences because I wanted to have characters of different backgrounds, different abilities, different worldviews, and different values having to learn to trust each other and work together.


The quest for the lost relics is central to your story. How did you go about creating these relics and their significance to the world you’ve built?

My answer to the first question addresses a lot of the intent behind this one, however I can add that if I just answer this question at face value it will blow apart the entire series and there would be no point in anyone reading them. The full answer to this question truly is the story of the Scepter of the Gods. The gods, the relics, the ancient civilization, and the hinted at but untold, deeper story are the reason for the relics and the relics are the key to restoration.


Your book combines elements of adventure, friendship, and deceit. How did you balance these themes to create a cohesive story?

Well, I started, obviously, with adventure. I wanted to write a story with a compelling storyline, but you can’t just write a story that goes from A to Z, no matter how fast the story goes, without bumps, roadblocks, disasters, celebrations, and mystery. It’s not the good stuff that makes a story interesting, it is bringing main characters to the brink of disaster and then giving them a way out that makes a story interesting and engaging. So, friendships must form. But in life, none of us have friendships that have been totally without withdrawals and conflict. Your best friends have stayed your best friends throughout your bumps, times you’ve let them down, times they have let you down, but they’re still your friends. The deal-breaker in a lot of friendships and acquaintances is when there is deceit. Now, sometimes that deceit comes from fear. Maybe one person has a secret so horrendous that they can’t tell even their best friend and to keep it secret, eventually they may have to lie about something or a lot of things. Then, that deceit comes back around to create more adventure. Maybe characters launch off in some direction based on that deceit and then it creates a lot of problems. Maybe.

 

Can you talk about the role of the Ruach in the story and how it affects the characters and their journey?

Well, this is huge and the elephant in the room is that any Star Wars fan will say, “Oh, well he’s just ripping off Lucas and the Force.” So, that needs to be addressed. In truth, George Lucas engaged theologian and historian Joseph Campbell as his spirituality consultant and the mysticism throughout those stories is based on multiple religious practices, beliefs, and constructs. So, no, I’m not ripping off Lucas or the Force, I’m going back to the source that informed where he got it and creating my own take on the matter. The Ruach is a major pillar throughout the entirety of the five books and will be … let’s just leave it at that. The word “ruach” is a Hebrew word that runs throughout the Old Testament, or Hebrew Bible, meaning “breath of God.” In the New Testament, the Greek word used is “pneuma,” which is where we get the word pneumatics. Alex and Mila start off as the two characters well-versed and practiced in the Ruach, however Mila also performs a healing using Native American words from the Quapaw language. The contrast in the story between light and shadow is a spiritual theme. The very idea that matter is reality manifest from spirit is a theme that has been in countless literary works as well as many, many religions such as even Wicca. A HUGE theme is the contrast and conflict between the practice and belief in the Ruach and technology. An oversimplified way of stating that is that Tekka represents technology and followers of the Ruach represents power that exists but is usually unseen. There are countless more layers to it than that, but we have the same dynamic present in our own cultures worldwide and that dynamic is addressed as a major plot development throughout the entire story.

 

Your book includes some unusual elements, such as fire-breathing rabbits. What inspired these fantastical aspects and how do they contribute to the story?

Fire-breathing bunnies. I love it. I mentioned earlier that I need ways to bring our characters to the brink of disaster and then give them a way out of it. I couldn’t just have Peter and Phelia just saunter down a white brick road through a forest and come out the other side as if they’d taken a walk in the park. I also needed a way to disclose another major piece in the mystery of what is going on in Adamah. Dreams are great tools for disclosing mysteries. Suddenly being thrust into conflict and danger is a great tool for characters digging deep within and pulling out things they’ve never known about themselves. What could be the worst, most dangerous way you can imagine being waked up? For me, fire would definitely be involved, but what would cause the fire? You can’t just have a forest fire if you’re going to need the forest later. There are no fire departments in Adamah. So, they’re in a forest, what lives in the forest? Rabbits. Bunnies are cute. Usually. Unless they breathe fire, which makes waking up really scary. So, it occurred to me that having fire-breathing rabbits would be funny, dangerous, and also provoking to Phelia’s character development. In fact, that spot is a major piece of her development.

I’ve used the same kind of thought process for the other fantastical beasts I put into the story. Sure, there is a griffin and there will be other beasts that we’ve all seen in stories before. I like doing new things or changing old things to create unexpected twists and turns. I created the branch munching creature in the forest where Alex and Phelia are running from guards because the reader wouldn’t know what to expect. That thing is new so we don’t know whether it will be dangerous or not. So, for me, the fantastical beasts are not just to have critters to slay or to make it interesting, I believe these animals can be used to drive the story where it needs to go and sometimes, like in the case of Koss, get included as interesting ancillary characters.

Walking shadows is a cool thing that just came to me while trying to figure out how Mila was traveling and during the first draft I decided to have it play a major part. In fact, I liked that it gave me a way to contrast physical and spiritual themes of light and shadow, good and evil. I also like that it provides a way for us to see a character deal with preconceived notions of something thought to be dark and evil and come to understand that they had it wrong and then accept a new understanding. That kind of thing will come up again and again but maybe the opposite. What was thought to be good and acceptable is revealed to be heinous or diabolical. Fantastical constructs are fun ways to wrestle with things like this.

 

The relationship between Alex and the headmaster is a significant part of the story. Can you talk about how you developed their dynamic and its importance to the plot?

This relationship is actually a successful accident. My first draft of this story was with Alex waking up suddenly from his vision, that was initially just a dream. My wife loved it but she couldn’t get past my detailed description of his swordplay in the courtyard after waking up to clear the dream from his head. She said it was too drawn out and bogged the story down before it even got started. Then I started thinking how characters waking from a dream as an opening sequence has been vastly overused and I needed to change it up but keep the important stuff. I rewrote the opening another five or six times and she didn’t find any of them interesting. I already had in mind that the headmaster would be mentioned in this book but have more importance as the stories develop, so I came up with the idea to start the story later in the morning with Alex in the headmaster’s office explaining the vision and his students, etc. I also had two other entire chapters of the mysterious traveler coming to the Citadel and searching for something and to get the story moving forward more quickly I decided to fuse it all together in the first chapter.

I say all that to say that this gave rise to the headmaster’s character development in ways I didn’t originally conceive and I was able to give him his own mysteries and secrets and apparent abilities all hinted at in the first chapter. As with most of this book, things are not as they might appear. The dynamic between Alex and his headmaster will continue but that’s about all I can say about it at this point. As Alex says at the end of the first chapter, “Headmaster Jornigan absolutely knew more than he ever let on.”

 

Trust and power are recurring themes in the book. How do you hope readers will interpret these themes in the context of the story?

These are both commodities and each human being trades with them every day. If we value trust, we take care of relationships where we trust other people and they trust us. Stephen Covey wrote about a dynamic that he called the “emotional bank account,” in which we make deposits every time we earn another person’s trust and vice versa. When we or another person violate trust, we make a withdrawal and as long as there is still a balance in the emotional bank account, we’re good. Do something big that overdraws that emotional bank account and then there are big problems. Contrasting to that, the seduction of power, the promise of power, the use and misuse of power, can all serve to violate or build trust. The ancient phrase, “absolute power corrupts absolutely” may come into play through these stories but I can neither confirm nor deny that at this point. Clearly, there are characters discovering new power but it isn’t quite so clear as to how that power may affect them later. My hope for interpreting this dynamic is that no matter how much power we have, it should always be secondary to protecting trust and not misusing trust to further one’s power or one’s schemes.

 

What do you hope readers will take away from "Scepter of the Gods: The Rod of Truth"?

The easy answer is what I’ve already been hit with is, “Where is book two? I want book two!” I was almost afraid on one occasion. Just kidding, but so far people have been already pressing me for the next book, which is currently a sketchy outline and mostly still in my head. I am working on it fast and furiously. The more complicated answer is that I hope this story helps readers ponder our relationship with nature, with the Universe, with the indwelling spirit within that gives rise to our creativity and gives us far more power than we ever admit we have. Do I believe any of us will be using the spirit within to blow holes in walls or blast a hole in the middle of a forest or walk shadows? No, not really, but who knows what a human being can really be capable of doing if we eventually fully embrace what we are and what we are created to be?

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